有关江苏拙政园的导游词范文精选

拙政园，位于江苏省苏州市，始建于明正德初年(16世纪初)，是江南古典园林的代表作品。拙政园与北京颐和园、承德避暑山庄、苏州留园一起被誉为中国四大名园。拙政园位于苏州城东北隅(东北街178号)，截至2014年，仍是苏州存在的最大的古典园林，占地78亩(约合5.2公顷)。全园以水为中心，山水萦绕，厅榭精美，花木繁茂，具有浓郁的江南水乡特色。花园分为东、中、西三部分，东花园开阔疏朗，中花园是全园精华所在，西花园建筑精美，各具特色。园南为住宅区，体现典型江南地区传统民居多进的格局。园南还建有苏州园林博物馆，是国内唯一的园林专题博物馆。下面是小编收集整理的5篇有关江苏拙政园的导游词范文，欢迎借鉴参考。

有关江苏拙政园的导游词范文精选 1

拙政园是我国"四大名园"之一。1961年3月4日国务院颁布的第一批全国重点文物保护单位名单中，属于园林方面的有四处：拙政园、颐和园、避暑山庄、留园。其中两处在北方，是我国皇家园林的代表作品;两处在苏州，是我国私家园林的代表作品。

拙政园之所以有这么高的知名度，其中主要有两个原因。一个原因是，拙政园是我国民族文化遗产中的瑰宝，是江南古典园林中的佳作，其布局设计、建筑造型、书画雕塑、花木园艺等方面都有独到之处，被誉为"天下园林之母"。另一个原因是，拙政园曾为许多在历史舞台上叱咤风云的人物提供了活动场所。其中，有江南文豪钱牧斋和爱妾柳如是;有明末御史、刑部侍郎王心一;有清初海宁籍弘文院大学士、礼部尚书陈之遴;有平西王吴三桂的女儿、女婿;有太平天国忠王李秀成;有江苏巡抚李鸿章和张之万。辛亥革命后江苏都督程德全通告全省，在园内召开江苏临时省议会;抗战胜利后，爱国诗人柳亚子在园内办过"社会教育学院"。相传，康熙年间，《红楼梦》作者曹雪芹的祖父曹寅担任苏州织造，织造衙门设在葑门，而家眷住在拙政园内。曹寅升迁江宁织造时，推荐内弟李煦接替，家眷住在园内达二三十年之久。

现在，我们可以看到，在高高的清水砖砌墙门的正门上方有砖雕贴金的门额"拙政园"三个字。拙政园始建于明代正德四年(15XX年)。御史王献臣(字敬止，号槐雨)因官场失意而还乡，以大弘寺址拓建为园，园内亭台楼阁，小桥流水，古木参天。拙政园的园名是据西晋潘岳的《闲居赋》中"此亦拙者之为政也"之句缩写而成的。根据苏州市园林管理局提供的资料，王献臣于明代弘治六年(1493年)中进士，升为御史，但仕途不顺利，曾两次被东厂缉事诬陷，动过刑，下过狱，被贬为广东驿丞，后任永嘉知县，罢官后居家，心里的痛楚无法言表。他对文征明讲："昔潘岳氏仕宦不达，故筑室种树，灌国鬻蔬，曰：’此亦拙者之为政也’。……吾仅以一郡倘倅退林下，其为政殆有拙于岳者，园所以识也。"意思是说，我之所以要起"拙政园"这个名字，就是要像潘岳一样隐退于林泉之下，要像陶渊明一样守拙归田园。这个园名，反映了王献臣当时那种既无可奈何，又想自我解嘲的复杂心态。

经过拙政园的墙门和"通幽""入胜" 腰门，我们就来到了拙政园的东部。东部花园的南部有一座三开间的堂屋，名为"兰雪堂"。"兰雪"两字出自李白"春风洒兰雪"之句，象征着主人潇洒如春风，洁净如兰雪的高尚情操。中间屏门上有一幅漆雕画，是拙政园的全景图。从图上看，拙政园为三个部分：东部，曾取名为"归田园居"，以田园风光为主;中部，也称为"复园"，以池岛假山取胜，是拙政园的精华所在;西部，也称为"补园"，园内建筑物大都建成于清代，其建筑风格明显有别于东部和中部。从图上看，拙政园没有明显的中轴线，没有传统的对称格局，大都是因地制宜，错落有致，疏朗开阔，近乎自然，是苏州诸多园林中布局最为成功的范例。

走出"兰雪堂"，迎面看到一座假山，青翠的竹丛和古树，簇拥着一座巨大的石峰，状如云朵，岿然兀立，西侧有两块形状怪异的湖石，两石中间夹着一条羊肠小道。中间这座石峰叫做"缀云峰"，像一个巨大的屏风，挡住来宾们的视线，这种"开门见山"的造园手法，被称作为"障景"，起着引人入胜的作用。许多人来到这里，都有一种"似曾相识"的感觉。这是因为许多来宾都看过中国古典文学巨着《红楼梦》，书中描写的大观园进门处的假山，同这座假山极为相似。《红楼梦》第十七回《大观园试才题对额，荣国府归省庆元宵》中有这样一段故事：贾政父子进大观园题景，开门进去，只见一带翠幢挡在面前。众清客都道："好山，好山! "贾政道："非此一山，一进来园中所有之景悉入目中，更有何趣?"……往前一望，见白石崚嶒，或如鬼怪，或似猛兽，纵横拱立。上面苔藓斑驳，或藤萝掩映，其中微露羊肠小径。这段描写，用在这里非常贴切，可能是偶然的巧合。然而，两园类似的情况还有许多。

过了假山，来宾们看到的是拙政园的东部主要景色。明代崇祯年间，刑部侍郎王心一买下东部后，建造"归田园居"。园内有山岛、荷池、松冈、竹坞，好一派田园风光。这一部分的主要建筑物，除了"兰雪堂"外，还有"秫香馆"、"天泉阁"、"芙蓉榭"等。

quot; 芙蓉榭"，就是建筑在荷花池边上的水榭。榭，是苏州园林建筑中的一种类型，造型轻巧，建在水边或高坡上，下面架空或半架空。芙蓉，有木芙蓉和水芙蓉。木芙蓉是一种变色花，早晨朝霞初现时是淡红色，中午阳光直射时变成紫红色，傍晚夕阳西下时又变成粉红色，甚为珍贵。水芙蓉，是指荷花或莲花。毛泽东主席诗词中 "芙蓉国里尽朝晖"，指的是水芙蓉。"芙蓉榭"的正面一池荷花，背后是一堵高墙，一边开阔、一边封闭的强烈反差，恰如其分地烘托了宁静的气氛。加拿大温哥华"逸园"中的水榭，就参照了这个设计，前面是一泓池水，后面是一堵高墙，很有苏州古典园林的味道。如果您走到芙蓉榭的门前向西面看，可以见到这个水榭进门的门框上装了一个雕花的圆光罩，透过这个圆光罩可以看到前面的小桥流水，犹如一幅镶嵌在圆形镜框里的油画。如果您走过去再看看仔细，又可以发现这个水榭临水的门框上装了一个雕花的长方形落地罩，前面的河水曲折婉蜒，两岸桃红柳绿，把人引入了一种宁静安谧、淳朴自然的境界中去。这是苏州园林中一种比较常见的造景手法，叫做"框景"。园主想通过这种手法，把来宾们的视线集中到最佳角度，以达到令人满意的效果。

quot; 天泉阁"，矗立在一片翠绿的草坪上，攒尖戗角，重檐八面，在蓝天白云下显得格外醒目。相传，这里原来是元代大弘寺的遗址。筑园时，在寺井上造了"天泉阁 "。这座建筑物，从外面看似乎是两层，在里边看却只有一层。欣赏苏州园林里的建筑物，高的楼阁要仰视。如果您站在"天泉阁"的戗角下，凝视飘动的浮云，您似乎感到楼阁正在蓝天中翱翔。这就是苏州园林建筑物上大都建有戗角的奥秘。这些戗角，除了有利于采光和通风外，主要是增加了动感和美感，成了苏州建筑的地方特色之一。

quot;秫香馆"，顾名思义，就是观赏稻麦飘香的地方。明代"归田园居"的主人在园林内造有秫香楼，"楼可四望，每当夏秋之交，家田种秫，皆在望中。"现在见到的"秫香馆"，其主体建筑是60年代重修拙政园时从东山搬迁而来，体型偏大，与原景略有不同。

值得一提的是，西南角樟树旁，有一处池岛假山小品。这座湖石假山上顶着一块大石头，外形很像一只翻底待修的小木船。前面湖面开阔，四周灌木丛生，不远处有几株芦苇，正像太湖边上一个小小的港湾。古代苏州园林的园主，有的是朝廷大臣，有的是封疆大吏，有的是外放州县，也曾经"安邦济世"，劳碌了一阵子，因为种.种原因卸任还乡，在远离京都的苏州，他们找到了安静的"港湾"。这里风俗清雅，物产丰富，既可以享尽清福，又可以避开政敌，成了达官贵人隐退后选择的最佳地点。正是由于这个原因，他们对佛教的"空无学说"、道教的"出世思想"、儒家的"隐逸主张"特别欣赏，就以"避世、淡泊"为主题，营造山林野趣，想在独立的小天地里实现自己的人格理想。正所谓，"扁舟一叶，浪迹天涯，人迹罕至，方为我家"。

拙政园东部和中部，是用一条长长的复廊隔开的。走廊的墙壁上开有25个漏窗，就像精雕细作的剪纸图案，镶嵌在长长的画轴上面。人们信步走在游廊里，随着漏窗花纹的更换，园内的景色也在不断地变幻。这种现象，称作"移步换景"。如果您再仔细看一看，漏窗上不同的图案，所表现的都是水波纹和冰棱纹，池中欢快的涟漪叠印在窗上凝固的波纹上，更加渲染了苏州水文化的氛围。 当我们打开复廊里的黑漆大门，就来到了中部花园。来宾们站在倚虹轩旁，向西眺望时，大家的第一印象应该是，这里池面宽广，景色秀丽。细心的朋友们还可以发现，在亭台楼阁之旁，在小桥流水之上，在古树花木之间，屹立着一座宝塔，给人以一种"庭院深深深几许"的感觉。这一借景手法，运用得很成功，园主确实是费尽了心机。因为中部花园东西长，南北窄，有一种压抑感，于是园主利用低洼的地势凿池叠山。用假山遮住两边的围墙，而池面上留出了大量的空间，使人感到开阔而深远。中部花园里的建筑物，大小不同，形状各异，高低错落，疏密有致。每一个建筑物都是一个极佳的观景点，而每一个建筑物也都是景点的重要组成部分。

拙政园的中部花园大致可以分为三个景区。来宾们通过游览三个各具特色的景区，游兴可逐步达到高潮。 第一个景区，以池岛假山为主，包括假山山堍的"梧竹的居"，假山山顶的"待霜"亭和"雪香云蔚"等景点。池岛假山，也称为水陆假山，是中部的主体假山。这 "一池三岛"基本上是苏州假山的传统格局，其要领是："池岸曲折，水绕山转"。这座假山设计极佳，确实是"大手笔"，完全符合我国山水画的传统技法。从东面看，一山高过一山;从南面看，一山连接一山;从西面看，一山压倒众山。用绘画术语来讲，分别是"深远山水""平远山水""高远山水"，表达的是宋代苏东坡诗中"横看成岭侧成峰，远近高低各不同"的意境。

下面，我们先来观赏 "梧竹幽居"。"梧竹幽居"，俗称"月到风来亭"，位于中部花园的最东面，同"倚虹亭"相邻。"倚虹亭"是因为靠在形似长虹的复廊上而得名。"梧竹幽居" 造型非常别致，四个大大的圆洞门使人马上联想起八月十五晚上的月亮。如果您站在亭子里向外看，这四个圆洞门又恰似四个巨大的镜框，镶嵌着苏州园林一年四季的风光。南面桃红柳绿，西面嫩荷吐尖，北面梧桐秋雨，东面梅花怒放。亭内有"梧竹幽居"的楹额。梧桐，是圣洁高昂的树;翠竹，是刚柔忠义之物。正所谓：" 家有梧桐树，何愁凤不至。"两旁有一副对联："爽借清风明借月，动观流水静观山。"慢慢品味，细细咀嚼，眼前似乎出现了两幅山水图画：一幅是皓月当空，夜色朦胧，清风徐来，沁人肺腑;另一幅是阳光明媚，鸟语花香，心动水动，心静山静。用心琢磨一下园主此时此刻的心境，大概同张大千讲的"心似闲蛩无一事，细看贝叶立多时"，有着异曲同工之妙。如果有的来宾读过孔子《论语》，看了这副对联，可能有另外一种心得。孔子讲："智者乐水，仁者乐山。智者动，仁者静。知者乐，仁者寿。"那么，是否可以讲，这副对联的上联是用清风明月来描绘自然风光的无限美好，下联是用乐山乐水来揭示旅游观光对陶冶情操的作用。只有到了这个时候，来宾们才会逐步领悟到苏州古典园林既要模拟自然山水之美景，以达到"悦耳悦目"的艺术效果，更重要的是要创造诗情画意的韵味，以追求"悦心悦意 "的心理感觉，再升华到"悦志悦神"的精神享受。如果您作会到了这种韵味，那么您就开始入门了。

当我们跨过九曲石板桥，沿着弯弯曲曲的山间小道缓步登山时，迎面见到的是"待霜"亭。"待霜"出自唐代苏州刺史韦应物"书后欲题三百颗，洞庭须待满林霜"的诗句，字里行间透出了一股霜浓橘红的山野气息和泥土芳香。 我们穿过丛林，越过小溪，步上石阶，就来到了"雪香云蔚亭"。它位于岛的中央制高点。在这里向周围了望，觉得中部花园像一幅苍劲古朴画卷，展现在我们的面前。在这幅画轴上，有高有低，有近有远，有大有小，有宽有窄，有疏有密，有闹有静。"雪香云蔚亭"还有"山花野鸟之间"的楹额和"蝉噪林愈静;鸟鸣山更幽 "的对联。如果坐在这里歇歇脚，看看景，静静心，真有点超尘脱凡的感觉，自己的身心已经同大自然完全融合起来了。《小城故事》歌词中有一句"看似一幅画，听像一首歌"，用在苏州拙政园里真是恰如其分。是否可以说，"山花野鸟之间"是对苏州古典园林的"天人合一""顺应自然"的哲学思想和"咫尺山林""小中见大"的审美观念，最通俗、最绝妙的注解。

当来宾们在第一景区游览，游兴到达高潮时，园主又及时将我们的注意力转向了另一个角度，从山上移到了池塘。这就是中部花园的第二个景区。第二个景区是以荷花池水为中心，围绕水面有" 荷风四面""香洲""见山楼""小飞虹""小沧浪""倚玉轩""远香堂"等景点。

湖中岛上有"荷风四面亭"，这里四面环水，三面植柳，真是绝佳的风景点。"荷风四面亭"上挂有一副对联："四壁荷花三面柳，半潭秋水一房山"。廖廖几笔，勾画出了拙政园春夏秋冬的风景特色。其妙处还有，联中蕴含着一、二、三、四的序数。这副对联的上联，仿照济南大明湖"小沧浪"清代书法家铁保所书的楹联： "四面荷花三面柳，一城山色半城湖"。这副对联的下联，仿照唐代诗人李洞的诗句"看待诗人无别物，半潭秋水一房山"。内容略作改动，用在这里，恰到好处。

quot;香洲"同"荷风四面亭"隔水相望。"香洲"的"洲"同"舟"同音，实际上是一座船型建筑物，可称为石舫或旱船，似乎是一只官船在荷花丛里徐徐而行。值得一提的是，"香洲"这艘石舫，集中了亭、台、楼、阁、榭五种建筑种类。船头为荷花台，茶室为四方亭，船舱为面水榭，船楼为澄观楼，船尾为野航阁。实际上，在苏州诸多园林中，几乎都建有石舫。从地理原因来讲，苏州是典型的江南水乡，古代大都以舟代步，家家临河，处处通船，在花园里建石舫以应景。从建筑角度来讲苏州园林建筑的种类有亭台楼阁，厅堂馆斋，轩榭廊桥，再加上舫，可以使建筑物形状多样，多姿多彩。再从政治角度来讲，石舫可以经常提醒人们"水可载舟，亦可覆舟"的道理。园主想借此表白自己"处江湖之远，则忧其君"的心迹。

经过九曲石桥，沿着游廊走，就来到了"见山楼"，古代叫做"藕香榭"。"见山楼"三面环水，似乎苍龙嬉水。"见山楼"是龙头，爬山廊是龙身，云墙是龙尾，门洞是龙嘴，曲桥是龙须。"见山楼"上层有蠡壳和合窗，楼下用落地长窗，室内明式桌椅茶几，梁上悬挂小方什景灯，完整地保留着那种古色古香的风貌。

从"见山楼"沿着游廊往南走，可以来到"小沧浪"。"见山楼"位于第二景区的北部，是主景区，视野开阔，"疏可走马"。而"小沧浪"、"小飞虹"、"得真亭"这一带是第二景区的南部，是次景区，空间窄小，"密不透风"。"小沧浪"的出典是《楚辞.渔父》，原话是"沧浪之水清兮，可以濯我缨;沧浪之水浊兮，可以濯我足"。用现代的语言来解释，就是倘若朝廷清明，我就洗洗帽缨，准备出仕辅助朝纲;倘若朝廷昏庸，我就洗洗双脚，决心隐退逍遥自在。"小沧浪"是一座三开间的水阁，南窗北槛，两面临水，跨水而居，构成一个闲静的水院。站在"小沧浪"前往北看，廊桥"小飞虹"倒映在水里，水波荡漾，犹如彩虹。这里是观赏水景的最佳去处。只见藕香榭前各路水源汇聚一池，似乎"浩浩汤汤，横无际涯"。到了香洲前，突然分流回去，其中一条支流弯弯曲曲，扑面而来，经过"小飞虹"，过"小沧浪"，有一种余味未尽的感觉。这样的理水手法，符合苏州古典园林关于"水面有聚有散，聚处以辽阔见长，散处以曲折取胜"的要领，可称一绝。

从"小沧浪"往东走，就来到了"远香堂"。欣赏"远香堂"，可以使来宾们的游兴达到游览这一景区的最高潮。"远香堂"，位于中部花园的中心位置，前面有一条小河种有莲花，后面有一片水池，广植荷花。夏天荷花盛开，清香一阵阵飘到堂内，所以取宋代周敦颐《爱莲说》一文中"香远益清"之句成了堂名。"远香堂"四面都镶有玻璃窗，可以坐在厅里一边品茶，一边聊天，一边看景。厅的南边是一座峻峭的黄石假山，北边是池岛假山，东边山坡上有"绣绮亭"，西边池塘边有"倚玉轩"，给人以近山远水，山高水低的感觉。"远香堂"的楹额，早先是乾隆年间着名学者沈德潜的手笔，因已佚失，由近代书法家张辛稼补写。两边有一副对联，共有80字，是苏州诸多园林中最长的对联，记载了当年八旗奉直会馆达官贵人聚会时的盛况。苏州古典园林建筑物，十分重视意境的设计，往往在园中的主要景点上，配以古诗古文中的词句，用大量的匾额楹联来点缀。这些匾额楹联，立意深远，意境含蓄，情调高雅，文字隽永，书法美妙，既记述了名园的历史，又点明了景点的精华，还抒发了园主的情怀。

拙政园中部花园的第三个景区是"枇杷园"。"枇杷园"位于"远香堂"的东南面，是拙政园中部花园里的园中园，因种有枇杷树而得名。"枇杷园"的园门设计得很巧妙。来宾们走到这里，见到前面一道云墙，两面种有牡丹，正所谓"山穷水尽疑无路"了。真没有料到，只要再往前走，就可以发现，黄石堆砌的假山遮住了旁边的一个门洞。随着人们一步一步走近，门洞就一点点扩大。到了门口，才发现门洞像一轮明月，镶嵌在白色的云墙上。过门洞后再往前走，这轮明月又被这边的湖石假山慢慢地遮住了。看着月洞门和牡丹花，不禁使人想到"闭月羞花"的典故。这个月洞门又像一个巨大的宝镜，庭院里的景物似乎是院外景物的影子。园主巧妙地选择了辟月洞门最佳位置，使"雪香云蔚亭""月洞门""嘉实亭"三点同处在一条视线上，并通过月洞门联系前后佳景，从而组成一组对景。由此可见，苏州古典园林在辟门开窗时，除考虑到出入和采光外，尤其注意撷取画面，力求处处有景，景随步移。

第三个景区是以庭院建筑为主，有"玲珑馆""嘉实亭""听雨轩"和"海棠春坞"等。这些建筑物又把空间分割为三个小院。这种造景手法，称为"隔景"，以便丰富园景，掩藏新景。三个小院，既隔又连，互相穿插，在空间处理和景物设置方面富有变化。每个庭院的天井，用肉眼看大小一般，但用脚步量一下却发现相差甚大。原来"玲珑馆"前的云墙造得较矮，视野开阔就显得大。"海棠春坞"尺寸比较小，但开了几个漏窗，使天井显得比较宽敞。"听雨轩"前的天井面积比较大，就开了一个小池塘，使天井大小适宜，园景丰富。当年，园主喜欢同家眷在这里，一边品尝苏州的船点，一边细听那雨滴打在瓦楞片上、芭蕉叶上、碎石地上，发出 "滴滴答答""淅淅沥沥""劈里啪啦"的声音，陶醉在大自然的音乐创作之中。这里似乎是中部花园交响乐的第三乐章。第一乐章，可称为"高山之颠";第二乐章，可称之为"沧海之滨";第三乐章，可称之为"天伦之乐"。"嘉实亭"里有一副对联"春秋多佳日;山水有清音"，用在这里，惟妙惟肖。

当来宾们从中部花园，穿过"别有洞天"的圆洞门后，就来到了西部花园。西部花园的主体建筑是"卅六鸳鸯馆"和"十八曼陀罗花馆"。这座建筑物是美化了的" 鸳鸯厅"结构;外面看是一个屋顶，里边是四个屋面;外面看是一个大厅，里边分为两个客厅;北面客厅是夏天纳凉用的，南面客厅是冬天取暖用的。进门时，圆洞门上方有四个砖雕的篆体字"得少佳趣"。意思是说，进得门来，才能渐入佳境，稍得乐趣。这个大厅建于清代，精雕细刻，摆设考究，气派非凡。北厅的楹额"卅六鸳鸯馆"是清代状元洪钧墨宝，南厅的楹额"十八曼陀罗花馆"，是清代状元陆润庠佳作。馆，是宾客聚会的地方，宽敞而幽静，四通而八达。鸳鸯是美满姻缘的代名词，曼陀罗花是延年益寿的吉祥物。据印光法师编撰的《阿弥陀经注释》中介绍，西方极乐世界每天都普降曼陀罗花。当今世上，只有多福多寿的人才能见到。传说，曼陀罗花与山茶花相似，所以，这里种十八棵宝株山茶应景。这个大厅造型别致，椽子为弓形和弧形，四角有耳房，相传是园主听昆曲的地方。史书记载，补园主人张履谦特别喜欢昆曲，经常同"曲圣"俞粟庐先生在这里切磋曲艺，每当清唱演出进入高潮时，总有一种"余音绕梁，三日不绝"的感觉。四角的耳房，是供演员换妆，佣人居住的地方。这里的蓝白相间的玻璃窗很雅致，每当盛夏烈日时，阳光透过窗户变成一道道蓝白相间的光束，洒在地上，泛起一阵阵寒意。如果来宾们有兴趣的话，可以用眼睛靠近蓝色的玻璃窗往外看，只见屋顶上、树枝上、石块上、荷叶上，都像是披上了一层白雪。

quot; 留听阁"位于"卅六鸳鸯馆"的西面，楹额由清代湖南巡抚吴大澄所书。"留听阁"出自唐代李商隐的"秋阴不散霜飞晚，留得残荷听雨声"之句。"留听阁"南面飞罩是银杏木立体雕刻松、竹、海、雀的花纹，构图匀称，手法精巧。隔扇裙板上刻有蟠螭(夔龙)图案，据说是太平天国忠王府内的遗物，>有较高的艺术价值和历史价值。

quot;倒影楼"位于"卅六鸳鸯馆"的北面。之所以取名为"倒影楼 "，是因为从前面的池塘里可以清楚地看到这幢楼阁的倒影。楼的下层，叫"拜文揖沈之斋"。用时髦的话来讲，就是"文征明先生和沈石田先生纪念馆"。文征明是明代"四大才子"之一。有的资料说，他参与了拙政园的规划设计。也有的资料说，他依照园景画了31幅图，各配以诗词，并作了《王氏拙政园记》，使名园增辉。沈石田先生曾经是文征明先生绘画方面的指导老师。他们对苏州文化艺术的发展作出过重大贡献。"倒影楼"中间屏门上雕刻有扬州八怪之一郑板桥的无根竹图，并配有诗词，也是不可多得的珍贵文物。

quot;倒影楼"前面有一条曲折婉蜒的水廊，地面贴着池面。池面上波光粼粼，地面上高低起伏，使人感到正踩在池面上随水飘浮。水廊的西面有一组楼阁群，最近的是"与谁同坐轩"。轩，是形似车厢的建筑物，两头有门框而不上门，随意进出;两旁墙上开有窗口，以便观景。"与谁同坐?明月、清风、我。"这是苏东坡的诗句，表达了诗人孤芳自赏的心情。园主借此表示自己的清高。仔细再看，"与谁同坐轩"，好像一把扇子，轩顶的瓦面像折扇的扇面，后面"笠亭"的尖顶恰似折扇的扇把，简直连接得天衣无缝。

以拙政园为代表的苏州园林，处处是充满着诗情画意的青山绿水，时时是洋溢着温情脉脉的家庭气氛，全园体现了淡泊明志的人生哲理，正是古人们苦苦追求的"人间天堂"。

有关江苏拙政园的导游词范文精选 2

大家好!欢迎来到苏州园林参观。我是你们的导游，姓潘，就叫我小潘或潘导好了。下面就让我带你们去参观吧!

苏州园林以山水秀丽，典雅而闻名天下，有“江南园林甲天下，苏州园林甲江南“的美称。那里既有湖光山色，烟波浩淼的气势，又有江南水乡小桥流水的诗韵。

现在我们来到了拙政园。拙政园是我国四大古典名园之一。它位于苏州娄门内，是苏州最大的一处园林，也是苏州园林的代表作。你们看，拙政园建筑布局是不是疏落相宜、构思巧妙，风格清新秀雅、朴素自然?它的布局主题以水为中心，池水面积约占总面积的五分之一，各种亭台轩榭多临水而筑。主要建筑有远香堂、雪香云蔚亭、待霜亭、留听阁、十八曼陀罗花馆、三十六鸳鸯馆等。下面大家拍拍照吧，小心点，不要掉到水里或乱扔垃圾了!

参观了拙政园，现在大家跟我来到了沧浪亭。沧浪亭是苏州最古老的一所园林。沧浪亭园内以山石为主景。瞧，迎面一座土山，沧浪石亭便坐落其上。假山东南部的明道堂是园林的主建筑，此外还有五百名贤祠、看山楼、翠玲珑馆、仰止亭和御碑亭等建筑与之衬映。造园艺术与众不同，未进园门便设一池绿水绕于园外。山下凿有水池，山水之间以一条曲折的复廊相连，多美丽啊!作文

下面大家看到的是狮子林。是苏州四大名园之一。因园内石峰林立，多状似狮子，故名“狮子林”。林内的湖石假山多且精美，建筑分布错落有致，主要建筑有燕誉堂、见山楼、飞瀑亭、问梅阁等。狮子林主题明确，景深丰富，个性分明，假山洞壑匠心独具，一草一木别有风韵。

最后，让我们参观留园。留园为中国四大名园之一。始建于明代。留园占地约50亩，中部以山水为主，是全园的精华所在。主要建筑有涵碧山房、明瑟楼、远翠阁曲溪楼、清风池馆等处。留园内建筑的数量在苏州诸园中居冠，充分体现了古代造园家的高超技艺和卓越智慧。作文

现在，我们已经把苏州园林的几个名园都不得参观完了。我很高兴能和大家一起游览这些名园，谢谢大家对我工作的的支持!再见!

有关江苏拙政园的导游词范文精选 3

拙政园又分东园、中园、西园三部分。

东园山池相间，点缀有秫香馆、兰雪堂等建筑。西部水面迂回，布局紧凑，依山傍水建以亭阁，其中主体建筑鸳鸯厅是当时园主人宴请宾客和听曲的场所，厅内陈设考究。晴天由室内透过蓝色玻璃窗观看室外景色犹如一片雪景。园中“与谁同坐轩”乃为扇亭，扇面两侧实墙上开着两个扇形空窗，一个对着“鸳鸯厅”，而后面面山的那一窗中又正好映 入山上的笠亭，而笠亭的顶盖又恰好配成一个完整的扇子。“与谁同坐，明月、清风、我”，所以一见匾额，就会想起苏东坡，并立时感到这里可赏水中之月，可受清风之爽。

中园是拙政园的精华部分，其总体布局以水池为中心，亭台楼榭皆临水而建，有的亭榭则直出水中，具有江南水乡的特色。主体建筑远香堂位于水池南岸，隔池与主景东西两山岛相望，池水清澈广阔，遍植荷花，山岛上林荫匝地，水岸藤萝纷披，两山溪谷 间架有小桥，山岛上各建一亭，西为雪香云蔚亭，东为待霜亭，四季景色因时而异。远香堂之西的“倚玉轩”与其西面船舫形的“香洲”遥遥相对，两者与其北面的“荷风四面亭”成三足鼎立之势，都可随势赏荷。倚玉轩之西有一曲水湾深入南部居宅，这里有三间水阁“小沧浪”，它以北面的廊桥“小飞虹”分隔空间，构成一个幽静的水院，而香洲即位于这一水湾口之两侧。拙政园中园的布局以荷花池为中心，远香堂为其主体建筑，池中两岛为其主景，其他建筑大都临水并面 向远香堂，从建筑物名称来看， 也大都与荷花有关。王献臣之所以要如此大力宣扬荷花，主要是为了表达他孤高不群的清高品格。此园以水为主，水面的占五分之三，建筑群多临水，保持了明代清逸古朴的造园风格，是我国江南园林的代表作品。1997年12月4日列入"世界遗产名录"。

有关江苏拙政园的导游词范文精选 4

Humble Administrator's garden. Humble Administrator's garden was built in Ming Dynasty, and Wang Xianchen was the first owner of the garden. In Jiajing and Zhengde years, he lived as an official censor. In his later years, he was not satisfied with his official career. He returned from office and bought land to build a garden. The main scenic spots in the park are: Lanxue hall, Furong Pavilion, Shuxiang Pavilion, Guangyan Pavilion, Yuanxiang hall, xiaocanglang Pavilion, Liuting Pavilion, Fucui Pavilion, etc.

The whole garden is divided into four parts: East, middle, West and residence. The residence is a typical Suzhou residence, which is now arranged as a garden Museum exhibition hall. The eastern part is bright and cheerful, with Pinggang Yuanshan, Songlin lawn and Zhuwu Qushui as the main parts. The main scenic spots are: Lanxue hall, zhuoyun peak, Furong Pavilion, Tianquan Pavilion, Shuxiang Pavilion, etc. The central part is the essence of Humble Administrator's Garden. The area of the pool is 1/3. Water is the main form. The pool is wide and luxuriant. The scenery is natural. There are different buildings with different shapes and sizes. The main attractions are: Yuanxiang hall, Xiangzhou, Hefeng Pavilion, jianshanlou, xiaofeihong, Pipa garden, etc. The main building in the west is the 36 Yuanyang hall, which is close to the side of the residence. The pool is in the shape of a curved ruler. It is characterized by the separation of the platform and the hall, the undulating corridor, the reflection of the water wave, the unique taste, and the gorgeous and exquisite decoration. The main scenic spots are: 36 Yuanyang hall, inverted photo studio, who to sit with, water Gallery, etc.

Introduction to Dongyuan

LanXue Hall: it is the main hall in the East. The name of the hall comes from Li Bai's poem "independent between heaven and earth, the breeze sprinkles Lanxue". It was first built in the eighth year of Chongzhen (1635) of the Ming Dynasty. According to the records of the garden owner Wang Xinyi's "guiyuantianju", Lanxue hall is a five Ying thatched cottage, "the East and West osmanthus trees are screens, and then there are mountains like a sheet, with plum blossoms growing vertically and horizontally. There is bamboo outside the plum. Bamboo is near the monk's house. The sound of Buddhism comes from bamboo at dusk. "The environment is secluded. In front of the hall, the two white pines are vigorous and clumsy, the bamboo on the wall is green, the Lake stone is exquisite, the green grass is in the path, and the East and West courtyard walls are connected. The hall has three rooms facing south. The plaque of "Lan Xue Tang" is high, and the long window is on the ground. There is a screen door in the middle of the hall. The south side of the screen door is a lacquer carving panorama of Humble Administrator's garden, and the north side of the screen door is a picture of green bamboo. All of them adopt the traditional Suzhou lacquer carving process. The two sides of the screen door are carved with figures and landscapes on the partition skirts.

Zhuiyun peak: in the north of lanxuetang, the peak is towering in the shade of green trees and bamboos. In the north of Shanxi, two peaks stand side by side, named "Lianbi". Jieyun peak and Lianbi peak are the scenic spots of guiyuantianju. According to Wang Xinyi's guiyuantianjuji, there is a pool in front of lanxuetang, "there are peaks in the south of the pool, and the trees are decorated with clouds, which is called zhuiyun peak. The two peaks on the left side of the pool stand side by side, like palms and sails, which is called Lianbi peak. " The two peaks are the works of Chen Siyun, a famous stone folding artist in the late Ming Dynasty. The lake stones used are exquisite and delicate, taking Zhao Songxue's landscape paintings in the late Yuan Dynasty as the model. From bottom to top, the shape of Jieyun peak is gradually larger, and its top is as big as a cloud, standing upright and independent, without support. On the summer night of 1943, zhuiyun peak suddenly collapsed. Later, under the guidance of Wang Xingbo, a landscape expert, this exquisite peak was built again. Today, the peak is mottled with moss and covered with vines.

Furong Pavilion: the pavilion is a very beautiful architectural form in ancient China. It is made up of the surrounding scenery and its form is flexible. The roof of Furong Pavilion is the top of the mountain. The four corners fly up. Half of the pavilion is built on the shore, and the other half is extended to the water. The sky stands on the water, standing at the edge of the water. This pavilion faces a wide pool with clear water, which is a good place to enjoy lotus in summer. Walking along the hibiscus Pavilion and looking around on the fence, you can see that the pool is full of green, pink and black water, elegant and elegant, like a graceful fairy looking forward to the blue waves. The breeze rises suddenly, setting off a green wave, sending bursts of lotus fragrance Enjoy the beauty, elegance and noble character of lotus.

Tianquan Pavilion: it is an octagonal pavilion with double eaves. The eaves are high and the outside is a cloister. It is solemn and simple. There is a sill between the pillars for sitting and enjoying. Surrounded by lawns, flowers and trees. The small slope of Pinggang in the north of the pavilion is lush with trees. The pavilion is named "Tianquan" because there is a well under it. The well does not dry up all the year round and the water quality is sweet, so it is called "Tianquan". According to the records of Qianlong Changzhou county annals, during the Dade period of the Yuan Dynasty, there was a temple called Dahong temple. After another hundred years, monk Yuze lived here and built a "Dongzhai". There is a well before Zhai, which is called "Tianquan". Suzhou is a land of water, with many rivers, bridges and wells, but few of them are recorded in history. As soon as Wang Xin built "guiyuantianju", he kept the well, which also added some pastoral scenery to the garden.

huxiang Pavilion: Shuxiang refers to the fragrance of rice. In the past, there were farmland outside the walls. During the harvest season, the autumn wind sent gusts of rice fragrance, which made people intoxicated. Hence the name of the pavilion. Shuxiang hall is the main building in the East, facing water and mountains. It is a single eaves structure. The room is spacious and bright. There are 48 pieces of boxwood carvings on the long window skirt. According to the experts' research, one is the romance of the west chamber, and the other is Jinyu Ruyi. Among them, there are scenes such as "Zhang Sheng jumps over the wall to meet mandarin ducks", "copy red" and "long pavilion to see off" in the romance of the Western chamber, which are exquisitely carved, rich and lifelike. At sunset, a touch of afterglow fell on the long window of Shuxiang Pavilion. With the exquisite wood carving of skirt board, the Shuxiang Pavilion is decorated with simple elegance and unique taste.

Hanqing Pavilion: garden architecture, with Pavilion changes. Pavilion is a kind of hut with only roof but no wall. It is exquisite and light. It is generally composed of roof, column body and platform base. In the garden, you can point and view the scenery, and also provide people with rest, cool and shelter from the rain. The Humble Administrator's garden has many pavilions and different forms. Hanqing Pavilion is located in a corner with narrow space. However, the gardener built a combined half pavilion with a tall white wall as the base, one main Pavilion and two subordinate pavilions. The flat seat of the main Pavilion is above the water surface, just like a waterside pavilion. The auxiliary pavilions on both sides are slightly backward and spread to the left and right, just like a corridor. The main pavilion has two berms and the auxiliary pavilion has one berm. The whole pavilion is just like a phoenix spreading its wings, adding momentum to the originally flat and monotonous wall . Reclining on the edge of the pavilion, the beauty sits on the edge of the pavilion. In the sky, clouds and water, the koi roam and the lotus swings.

Introduction to Zhongyuan

Yihong Pavilion: sitting on the straight corridor to the west of the complex corridor, facing the East and the west, the corridor meanders behind, and the water and trees are broad in front. It is an excellent viewing point after entering the central garden. On the right side of the pavilion is Wu Zhu's secluded residence. In front of the pavilion is a small blue stone bridge, named Yihong bridge. The fence and stone quality reflect the style of the Ming Dynasty, which seems to be a relic of the Humble Administrator's garden of the Ming Dynasty. Standing in the pavilion, the open pool water in the middle and the curved bridge divide the water. In midsummer, the lotus in the pool is covered with red clothes, which is full of Jiangnan style. Deep in the shade, a beautiful and exquisite pagoda can be seen. This is a way of borrowing scenery to borrow the Beisi pagoda, which is more than 1000 meters away from the garden. It is a good example of "Yuanjie" in "Jiejing".

Wuzhu seclusion: wuzhu seclusion with unique architectural style and ingenious design is a Square Pavilion, which is the main view in the east of the central pool. The pavilion is surrounded by corridors, red pillars and white walls, cornices and raised corners, backed by long corridors, facing the wide pool, with Wutong shading and bamboo trees. The beauty of the pavilion is that there are four round openings on the white walls around the pavilion. The holes are round and the holes cover the holes. The four round openings are not only transparent, daylighting and elegant, but also form four beautiful frame scenes of flowers and windows, small bridges and flowing water, beautiful scenery of lakes and mountains, and the charm of bamboo. The plaque of "wuzhu secluded residence" is in the style of Wen Zhengming. The couplet is written by Zhao Zhiqian, a famous calligrapher in the late Qing Dynasty. The first couplet uses two loan words to point out the intimate relationship between human beings and the wind, moon and nature. The second couplet uses movement, emptiness and reality to set off and contrast each other.

ow fragrance cloud Pavilion: snow fragrance, refers to plum blossom. Yunwei refers to the flourishing of flowers and trees. This pavilion is suitable for appreciating plum trees in early spring. Plum trees are planted beside the pavilion and the fragrance floats. Surrounded by green bamboos and lush trees, it is quite interesting to walk around the river. The pavilion is rectangular, on the earth mountain in the central and western part of the pool. Its appearance is simple and light. The plaque "between mountain flowers and wild birds" in the pavilion is written by Qian Juntao, a contemporary calligrapher and painter.

Jiashiting: many loquat trees are planted in the garden. Loquat trees have buds in autumn, blossom in winter, bear fruit in spring and mature in summer. It contains the atmosphere of four seasons and forms a golden pill. Jiashi Pavilion is not only a praise of Jiangnan famous garden, but also a celebration of harvest. There is a square window opening in the middle of the pavilion wall. On one side of the window opening is the Taihu stone. Beside the stone, there are wintersweet and banana in summer, forming a natural three-dimensional picture. Through the entrance of the loquat garden, Jiashi Pavilion and Xuexiang Yunwei Pavilion form a group of scenery, which is one of the artistic techniques of gardening.

Listen to Yuxuan

In the east of the harvest Pavilion, it is connected with the curved corridor of the surrounding buildings. In front of the pavilion, there is a pool of clear water with lotus; beside the pool, there are plantains and green bamboos; behind the pavilion, there are also plantains. In the Five Dynasties, Li Zhong, a poet of the Southern Tang Dynasty, wrote a poem: "listen to the rain coming into autumn bamboo, leave monks to cover old chess"; Yang Wanli, a poet of the Song Dynasty, wrote a poem "autumn rain sigh", which said: "banana leaves are half yellow, lotus leaves are green, two autumn rain families have one family voice"; Zhou qianjuan, a modern Suzhou horticulturist, wrote a poem "banana leaves are drizzling, but the sound of broken jade is still heard in his dream." There are banana, green bamboo and lotus leaves here. No matter in spring, summer, autumn and winter, as long as it's rainy night, because the rain falls on different plants, and people listen to the rain have different attitudes, they can hear the sound of rain with different tastes. It's wonderful and has a unique charm.

Haitangchunwu: it is a small independent courtyard separated by the flower wall on the east side of Linglong hall. The book style brick forehead with unique shape is embedded in the south wall of the courtyard. There are several begonias in the hospital. In the early spring, the flowers are as beautiful as jasper in a small family. They are beautiful and beautiful. The literati eulogized it. The courtyard floor is inlaid with green, red and white pebbles to form Begonia pattern. The decorative patterns of tea table in the hospital are all Begonia patterns. There are scenic spots everywhere. Although the courtyard is small and quiet, it is an ideal place for reading and rest.

Yuanxiang Hall: Yuanxiang hall is a four side hall, which is the main building in the middle of Humble Administrator's garden. It was built in Qianlong period of Qing Dynasty on the site of ruoshu hall in Zhengde of Ming Dynasty, and the base of bluestone house is the original thing at that time. It is built on the surface of water, with a single eaves resting on the top of the mountain and three rooms wide. The North platform of the hall is spacious and clear. The lotus pond is wide, with red clothes and green cover, and pleasant fragrance. The name of the hall is based on the famous sentence of "Xiang Yuan Yi Qing" in Zhou Dunyi's "Ai Lian Shuo". Lotus flowers are planted all over the water, so it gets its name. In summer, the lotus leaf field in the pool, the lotus wind blowing on the face, and the fragrance sending far away, is a good place to appreciate the lotus. The garden owner borrows the flower from the metaphor, has expressed the garden owner noble sentiment. The hall is decorated with transparent and exquisite glass floor long windows with neat specifications. Due to the emptiness of the long windows, there are various interesting scenery around, such as mountain light, water and shadow. You can have a panoramic view, just like watching mountains and rivers. The interior furnishings are elegant and exquisite.

Xiaofeihong: Suzhou is a water town, Humble Administrator's garden is a water garden, where there is water, there is bridge. In the Humble Administrator's garden, there are stone slab bridges, stone arch bridges, etc. It is the only corridor bridge in Suzhou gardens. It is named after the poem "flying rainbow overlooking the Qin River, misty and light string" written by Bao Zhao in the Song Dynasty. The scarlet bridge hurdles are reflected in the water, and the water is sparkling, just like a rainbow, so it is named. The rainbow is a colorful bridge across the earth after the rain. The ancients used the rainbow to describe the bridge with a wonderful intention. It is not only a channel connecting water and land, but also a unique landscape centered on the bridge. Xiaofeihong bridge is a three span stone beam, slightly arched, in the shape of eight. Both sides of the bridge deck are equipped with ten thousand character guardrails, three rooms and eight columns, covering the corridor house. The eaves are decorated with upside down lintels. The two ends of the bridge are connected with the curved corridor, which is a beautiful corridor bridge.

Xiaocanglang: xiaocanglang takes the name of "Canglang Pavilion" of Su Shunqin in the Northern Song Dynasty as the name of the pavilion, implying seclusion. The small pavilion is three rooms wide, with south windows and North sills. It faces the water on both sides. Its shape is very unique. It looks like a house but not a house, like a boat but not a boat, like a bridge but not a bridge. It is a water Pavilion on the water. Across the pool, the water Pavilion divides the water surface again, making the end of Zhongyuan Shuiwei seemingly continuous, with superb artistic techniques. Surrounded by pavilions and corridors, it forms an open quiet water courtyard. Once upon a time, there were many families of literati and officials in the ancient city of Suzhou. No matter they were Chinese houses or ordinary houses, they all paid special attention to the decoration of small space. This small space was the courtyard, and the water courtyard was the unique small wave. On the one hand, it reflected the customs of the water town in the south of the Yangtze River. On the other hand, because of the water landscape, the courtyard built a special cool environment by borrowing the scenery inside and outside.

ongfengshui Pavilion: pines, bamboos and plums are known as the "three friends of the winter" in traditional Chinese culture. In the literati freehand garden, they are especially fond of planting such "bide" plants to express the master's thoughts and feelings. The pine tree does not wither in the cold and is evergreen all the year round. The ancients described it as a person with noble moral sentiment. The vigorous and clumsy posture of pine is often depicted in the picture, and it is one of the main tree species in Chinese gardens. Songfengshui Pavilion, also known as "listening to songfengchu", is a place to see songtingtao. The water pavilion has a sharp square roof, and the space is closed. It is accessed by a small gate in the corridor. The other three sides adopt the structure of half wall and half window. The eaves of the roof are very large, and the cornices are especially high, showing the elegant and light style. The whole building is not in the regular direction of due south and due north, but slants over 45 degrees, and is suspended on the water, which can avoid the sun and ventilate. It is most suitable for viewing in summer. There are several black pines planted on the side of the pavilion. The wind blows, the pine branches move far away, the pine waves sound, the color and sound are all ready. It is a unique landscape.

Xiangzhou: Xiangzhou is a "boat" type structure with two storeys of cabins. The whole body is elegant and free. Its posture is reflected in the water, making it more elegant and elegant. Xiangzhou reposes the ideal and sentiment of literati. Xiangzhou uses the allusion of "Fangzhou" in Qu Yuan's works. There is a sentence in the songs of Chu that "if you pick Fangzhou, you will leave your daughter.". In ancient times, vanilla was often used as a metaphor for a noble man. Here, lotus landscape is used as a metaphor for vanilla, which is also very appropriate. Among the numerous stone boats in Chinese classical gardens, the Humble Administrator's garden Xiangzhou is probably the most beautiful one. The bow of the boat is a platform, the front cabin is a pavilion, the middle cabin is a pavilion, and the stern is a pavilion. The lines of the pavilion are gentle and undulating, and the scale is appropriate. It reminds people of the warm mountains and soft waters and the picturesque boats in Suzhou, Hangzhou, Yangzhou in ancient times. Xiangzhou is located at the edge of the water, just at the intersection of the East and west water flow and the north-south river. It is surrounded by water on three sides and on the other side by the bank. The springboard composed of three stone bars boarded the "boat" and stood in the bow of the boat, rippling and bright all around. The garden is beautiful and refreshing. The sun is scorching, but the wind blows here, and it's cool. On the bow of the Xiangzhou ship, there was a inscription written by Wen Zhengming, which was specially inscribed and postscript by later generations. Xiangzhou, a dry boat, is elegant, exquisite and fascinating, which makes people feel a pursuit of noble personality.

Lotus wind Pavilion: the pavilion is named for lotus. It is located on a small island in the middle of the garden. It is surrounded by water. The lotus Pavilion is planted in the lake. Willow branches are dancing on the lake bank. The pavilion has a single eaves and six corners. It is transparent on all sides. There are holding column couplets in the pavilion: "lotus on all sides, willow on three sides, half pool, autumn water and one Fangshan." It's very appropriate here. In particular, the word "wall" in Lianzhong is well used. The pavilion is the most open building. There is no wall between the columns, so the sight is not blocked. It feels transparent and bright. Although there is no wall, the willows on the three sides of the river bank are luxuriant and surrounded by hibiscus. Isn't it a green fragrant and soft wall? The moving exaggeration and rich imagination make the pavilion on this island more beautiful It looks colorful and charming. The wind blows on the wall, the green waves roll, the fragrance overflows, and the color, fragrance and shape are excellent. Light willows in spring, bright lotus in summer, clear water in autumn, quiet mountains in winter, and lotus wind. Pavilions are not only suitable for summer and summer, but also for all seasons. If you look down at the pavilion from a height, you can see that the pavilion is out of the water, the cornice is protruding, the red pillars are tall and straight, and the base is jade white. It is clearly a bright pearl in the arms of lotus in the pond.

有关江苏拙政园的导游词范文精选 5

Hello, everyone! My name is Suzhou Hangzhou, and I'm the guide of your Humble Administrator's garden.

ow I'll take you to visit the Humble Administrator's garden, a world cultural heritage, which is a private garden of a large family. It is the only scenic spot in China with four titles at the same time: national key cultural relics protection units, national 5A scenic spots, national special tourist spots, and UNESCO listed as world cultural heritage. Why does a former private garden have such honor? Let's go to the end?

Above the main door of this high fair faced brick wall door, there are three words "Humble Administrator's garden". Wang Xianchen, the founder of the Humble Administrator's garden, was an executive of the Ming Dynasty. He returned to his hometown due to official frustration and started to build the Humble Administrator's garden on the basis of the site of a temple. In order to make the garden more cultural, he invited Wen Zhengming, a representative of the Wumen School of painting, as the chief designer, to participate in the blueprint design, and left the painting of the Humble Administrator's garden. Wen Zhengming, one of the four great talents in the south of the Yangtze River, outlined the overall layout of the whole garden with the aesthetic taste of a painter. After more than ten years, he finally completed the construction of this later famous masterpiece in the south of the Yangtze River. Wen Zhengming's design, based on water, is a natural garden style, which strongly shows the aesthetic mood of Chinese landscape painting. So far, taking the real natural landscape as the blueprint and integrating the artistic representation of Chinese painting has become a major purpose of Suzhou classical garden layout. The garden is named Zhuozheng garden, which is borrowed from the Western Jin dynasty literati Pan Yue's "leisurely residence Fu" in which "build a room, plant trees, be at ease Irrigate the garden with vegetables for daily meals It is also a humble person who is in charge of politics. It is implied that he takes watering the garden and planting vegetables as his "political" affairs. Soon after the garden was built, Wang Xianchen died, and his son lost the whole garden to Xu in a gamble. Over the past 500 years, the Humble Administrator's garden has changed its owner many times. In history, it was divided into two parts and three parts, and then combined into one. The name of the garden varied from private garden to government garden, or scattered into folk houses. It was not until the 1950s that the garden was completely integrated and its original name was restored. Among the numerous historical figures in the Humble Administrator's garden, Wen Zhengming, Cao Xueqin and Li Xiucheng are particularly attractive. We will introduce them one by one when we visit the scenic spots.

Lanxue hall is the main hall in the east of China. The name of the hall comes from Li Bai's poem "independent between heaven and earth, the breeze sprinkles Lanxue". The hall has three rooms facing south, with a secluded environment. There is a screen door in the middle of the hall. To the south of the screen door, we will take a look at the painting "panorama of Humble Administrator's garden", which is made with Suzhou traditional lacquer carving technology.

Zhuozheng garden was built in Zhengde period of Ming Dynasty in the 15th century. It is the largest existing classical garden in Suzhou, covering an area of 78 mu. It is mainly built by water. Most of the buildings are built near the water. The water corridor in the mountains is undulating and smooth. This grand view of the classical luxury garden, with its layout of the mountain island, bamboo dock, Songgang, Qushui of interest, is known as the "world garden model.". The whole garden is divided into four parts: East, middle, West and residence. Residence is a typical Suzhou residence. Most of the existing buildings in the Humble Administrator's garden were rebuilt in 1850 when the Humble Administrator's garden became the garden of zhongwangfu in the Taiping Heavenly Kingdom.

The eastern part covers an area of about 31 mu. It was originally called "guitianyuanju" because in 1631 ad, the eastern part of the garden was named after Wang Xinyi, the Shilang. It presents an idyllic landscape, with buildings dotted among the riverbanks and trees, and streams passing at the foot of the rockery, creating an open space full of wild mountains and forests.

The central part covers an area of about 18 mu, with luxuriant flowers and trees, beautiful scenery and elegant pavilions. It is the essence of Humble Administrator's Garden. The overall layout takes water as the center, and all kinds of buildings are placed near the water. The modeling is simple and elegant. The pavilions and pavilions are built near the water, and some pavilions and pavilions are straight out of the water, which has the characteristics of Jiangnan Water Town. The rockery is surrounded by pools and water, and the top of the rockery is like an island in a lake. The whole space is full of natural charm, and the atmosphere is quiet and secluded. It shows the gardening pattern of the Ming Dynasty in the 16th century, and basically maintains the artistic style of the Ming Dynasty garden designer Wen Zhengming - thick, simple, and sparse.

In the west, it used to be a "Buyuan" with an area of about 12.5 mu. Its water surface is circuitous and its layout is compact. Pavilions are built near mountains and rivers. Because of the large-scale reconstruction, the style of crafty and artificial art formed after the Qianlong reign gained the upper hand, but the water stone part is still close to the central scenic area, and the undulating, tortuous and undulating water corridors and streams are excellent works of Suzhou garden art. The present pattern maintains the style and features of the late Qing Dynasty's rich businessman Zhang Luqian.

quot;Zhuiyun peak" is a famous peak left over from Ming Dynasty. It was stacked by Chen Siyun, a master of Dieshan. It stands on the rockery behind the Lan Xue Tang, just like a cloud landing on the earth, dotted with the landscape, but also like a barrier, hiding the garden and infinite painting behind. This "straight to the point" gardening method of "zhuoyun peak" blocking the sight of the guests is called "barrier scenery" and plays a fascinating role.

As soon as we enter the garden, what we see is not a panoramic pond, but this huge lake stone. It's just like the girl who wants to meet and be ashamed, "still holding the Pipa and half covering her face". Here is the unique charm of Oriental women, leaving a mystery and a prospect for people to explore.

According to Wang Xinyi's guiyuantianjuji, there is a pool in front of lanxuetang, "there are peaks in the south of the pool, and the trees are decorated with clouds, which is called zhuiyun peak. The two peaks on the left side of the pool stand side by side, like palms and sails, which is called Lianbi peak. " What we see now are zhuiyun peak and Lianbi peak. The two lake stones stand at the intersection like patrons, just like the situation at the gate of Daguan garden described in the book. They are like beasts and ghosts. The strange stone on the right side is distributed like a vine. It has ears and nose. It has both shape and spirit. The two peaks are the works of Chen Siyun, a famous stone folding artist in the late Ming Dynasty. The lake stones used are exquisite and delicate, taking Zhao Songxue's landscape paintings in the late Yuan Dynasty as the model. On the summer night of 1943, zhuiyun peak suddenly collapsed. Later, under the guidance of Wang Xingbo, a landscape expert, this exquisite peak was built again. Today, the peak is mottled with moss and covered with vines.